|
Our VIP membership is simple: Pay the one time fee and then you get all of our premium VST plugins (including all updates) for free, forever. This includes all plugins past, present and future.
|
|
Rhinoceros is a very colored channel strip designed to add weight and character to otherwise stale sounds. With a three band parametric EQ, dual mode lowpass / hipass filter (12dB/oct and 24dB/oct), variable tube saturation and independent wet / dry outputs, Rhinoceros can add fat, grizzly meat to anything you throw at it.
|
|
Dueling Tremolos is a phase-based tremolo effect that can be used either with one or two engines; each of which has its own rate, attack, release and volume, making for some very nifty modulation combinations. In addition, engine B can be phase inverted in order to differently interact with the rest of the wet signal!
|
|
Based on the synthesizer behind our 2009 KVR Audio Developer's Challenge entry, Explor3r Extended is a three oscillator monosynth with channel-dedicated amplitude envelopes, lowpass filters and LFOs -- all glued together with a matrix that allows both phase modulation and sync inputs on each oscillator to be fed by the output of any other oscillator (including itself). After the main channels are done producing their sound, it is fed into various texturizing pathways that offer everything from 'tube' saturation to a noise channel w/high cut, ring mod, global filtering & delay. Although absolutely designed to perform as an analog-style monosynth, we've also included the option to switch into a three-voice poly mode for those of you with a bit more CPU headroom. Explor3r Extended can create anything from fat, complex leads to buzzy basses, droning sound effects, sweeping pads and terrible, screeching chaos.
|
|
Grotto is a stereo reverb / delay hybrid that focuses on producing lush, cave-like environments -- either as enhancements to your source signal or as a sculpting tool for creating droning ambiences. At it's core, Grotto's wet channel is driven by emulated tubes that fill your reverb out with rich harmonics before passing the signal along into a fat lowpass filter. On the side, a delay scoops up signal from either the clean or wet path and then seamlessly reenters the signal chain. Next, simply mix and match your channels with a master, clean and wet volume knob. In addition to Grotto's core features, we left it's spine exposed, allowing you to alter parameters of the reverb algorithm itself. This paves the way for a huge, custom reverb that you can tailor to fit whatever you send through it.
|
|
Dusk is a smooth, virtual analog lowpass filter with a few extras; full stereo signal flow, a subtle tube-emulated saturation, clean out and a modulation effect affectionately named " the Wub." Intended to nearly always have some clean in the mix, Dusk revitalizes your sounds rather than just simply trimming the highs.
|
|
The D15/2 is a stereo, vintage-style analogue drum module (no samples!). It follows standard trigger placement and is fully tunable -- this means that you can alter nearly every possible parameter that defines how the drum voices sound. With a total of 16 voices (including two kick paths), global and bass drum dedicated bit crushers (one of each), two mixed output channels including a tube emulation with pre / post gain as well as a master reverb, the D15/2 lends an uncommon level of control and variation to the analog drum concept.
|
|
Intended to create incredibly intricate and lush pad sounds, Signals utilizes four oscillators (each with their own signal path) in conjunction with two powerful LFOs (32 possible destinations each, 5 waveforms) and an LFO-modulated global delay. Each oscillator has its own waveform selector (5 shapes), tuning control, lowpass filter, bit crusher and volume envelope.
|
|
Equivibe 2 is a full stereo, two channel multiband 'vibe' style effect geared towards electric piano, strings, pads and guitars. The wet channel passes your signal through a 9-Band Equalizer, each band being modulated at an independently set rate with an adjustable waveform (4 choices). In addition, each band has a knob for adjusting the bandwidth for its dedicated center frequency. Next, your signal is fed into a stereo chorus effect (5 selectable waveforms) capable of everything from smooth flange to a glitchy blitter -- and for those more 'crusty' moods, a very fat lowpass filter is right there in order to trim off some of the highs. All that's left is to mix and match your wet and dry signals with two independent volume knobs in order to find that perfect blend!
|